Below are the abstracts accepted for the IASAS Amsterdam symposium Synesthesia: interdisciplinary research in a multisensory world
Anderson, Corin Photisms: A live audiovisual performance
Asano & Harashima A structural isomorphism approach to vowel-color crossmodal mapping
Berman, Greta Do most musicians have synesthesia?
Bierly, Lauren Visualizing grapheme-color and emotion-color synaesthesia to process mood blocks
Bouvet, Lucie Synesthesia and visual thinking in autism
Bowman, Becca When doctors can’t hear in color: bridging the synesthetic gap in medicine
Casimir-Sainton, Manon Synesthesia, neuroaesthetics, and the future of wellness
Chiou, Rocco How the brain creates inner world? Insights from mental imagery and synaesthesia
Colizoli & Monkau How synesthesia impacts working memory: A computational approach
Condorelli, Ruggero Creating colored letters: the neural basis of induced color qualia
Denzer, Bridget Seeing music: grapheme-color synesthesia and the visual perception of musical notation
Dorso, Anton Semiotic system-unitisation membership model of induction and mapping in synaesthesia: An evidence-based proposal of an interdisciplinary research framework
Dupont-Sagorin, Aurore Shaping sensation: trauma, early caregiving, and the development of mirror-pain synesthesia through documentary and graphic narrative
Eldem, Umut Crossmodal and synesthetic principles in audiovisual composition
Elgabry, Effie The color of shape and time
Fine, Carli Shared brain-based markers of synaesthesia and autism spectrum disorder
Goody, Mary Exploring sculpture-making and mirror-touch synaesthesia in the studio: accounts from an exploratory practice
Haverkamp, Michael Synesthetic approaches on painting of non-tonal sounds – how do visual elements correlate to physical features?
Herrera-Pombero, Natalia The music of drawing. The perception of sound through graphics from the perspective of synesthete and nonsynesthete artists.
Huang, Yating The link between synesthesia and neurodevelopmental traits: a co-twin design
Jenič, Barbara Exploring the One Sense: Synesthesia and Sensorial Language
Jewanski, Jörg Rediscovering Friedrich Mahling: A forgotten pioneer of synesthesia research during the 1920s
Kesari, Nisha Raga, Rasa and Raqs: Synesthesia and the multisensory architecture of artistic creativity across cultures.
Lachelin, Remy Mapping synesthetic sequences in space: improving consistency test by harnessing cartography tools.
Layden & Kischner Shapes of song
Lee,Eunseo
Li, Xinyi Coloring translation
Lucas, L How to spot a synaesthete: quicker response times when associating a shape to a sound?
Lucas, L Forbidden syn. How does repression impact our synaesthesia story
Maal, Nusa Beyond Boundaries: Three dimensions of synesthetic integration in individuation and lifework
Mantheakis, Anna Working with synesthesia: how I improved as a professional taster by rewriting the rules
Marshall, Angelina Probing complex perceptual shifts: exploring personal synaesthetic experiences through multisensory and immersive registers
Meier, Beat Synesthetes report a higher frequency of dreams and a broader pa ern of dream modalities
Melero, Helena The allostatic neurodynamic theory of synesthesia
Neufeld, Janina Visual processing in autism and sequence-color synesthesia – a twin study
Nodera, Takako Alchemy of actor for art of acting
Norrman, Hjalmar Functional brain correlates of object perception in synesthetic and non-synesthetic twins
Or, Himli Digital Synaesthesia: A systematic review of cross-sensory integration and human computer interaction in the age of immersive technologies
Porat & Sagiv Idiosyncratic Grounding: synesthesia as a mechanism of conceptualization
Root, Nicholas Psycholinguistic insights from a large publicly available database of synesthetic associations in more than 20 languages.
Root, Nicholas Synesthesia around the world: insights from UvA international student projects
Rouw, Romke Pupil size reveals the perceptual quality and automatic nature of synesthesia
Rudenko, Svetlana Geri Hahn Art DreaMR: modelling synesthesia with mixed reality and music.
Sachdeva, Chhavi How perceptual ability shapes memory
Scheubeck, Stephanie Under my skin
Shrestha, Evita Shaping colours: how cursive letterforms influence grapheme-colour associations in russian speakers
Simner, Julia Democratising synaesthesia research (and rethinking why consistency matters)
Sinha, Jasmin That which can’t be explained: communicating synaesthetic experience to the outside world
Sorenson & Zelazny Towards an EEG marker of synaesthesia: a case–control study
Steen, Carol Losing photisms, finding visions: my changing synesthesia, hypnagogic and hypnopomic perceptions
Thierry, Gabrielle Painting music: emotions, colors, and synesthetic perception
Uhl, Daniela Integrated synesthetic perception: a first-person case perspective on multisensory experience and emotional cognition
van Bohemen:van Starkenburg A presentation about living with synaesthesia from the perspective of 14 year old boy with synaesthesia and his mother
Vreugdenhil, Nina Conceptual colour understanding in the blind
Ward, Jamie From synaesthesia to musicality
Whelan, Emily Perceptual diversity and cognitive style in synaesthesia and the general population: insights from the perception census
Whitehead, Eloise Synesthesia impacts the music composition process through automatic and deliberate means
Xiong, Ninghui Relation between 8 strokes of Chinese characters and 8 trigrams of divination – a synaesthete’s understanding of how ancient Chinese perceived the world
Yu, Claire How homophones shape color perception across languages (Chinese, English, Spanish) in grapheme-color synesthesia
Zoesthesia How my synaesthesia wrote a song: colour-driven composition and cross perceptual collaboration